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A recent Boston Globe article examined a challenge facing orchestras across the country: classical music audiences are shrinking. The statistics are sobering.

National attendance at live classical performances has been cut nearly in half over the past five years, and even organizations like the Boston Symphony Orchestra are rethinking programming, pricing, and the concert experience to reconnect with today's audiences.

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Is classical music still relevant? It's a question I hear often, and one that deserves more than a simple yes or no. My answer is yes. Absolutely. But perhaps not in the same way it was two hundred years ago. Classical music itself has not become less valuable. The world around it has changed.

When Beethoven was composing his symphonies, there were few ways to experience great music. A concert was one of the defining cultural events of a community. Today, we live in a world of unlimited entertainment. Movies, streaming services, podcasts, social media, sports, gaming, and millions of songs are available instantly on a device that fits in our pocket. We have access to more music than at any other point in human history.

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“I’ve been interested in music my whole life,” says Cape Symphony Conservatory voice student Rima Petrosyan. “I’ve always loved being in theater; that’s where my love of music came from.” 

Rima’s Cape Symphony career began with art classes at age 5. She played the ukelele, studied violin with Richard Balkin, and started singing along with violin lessons.

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Cape Symphony is delighted to have Stephanie Riley on board to launch the Cape Symphony Youth Chorus Program in Fall 2026. An accomplished singer with over 20 years’ experience as a choral music educator in the Dennis-Yarmouth school district, Stephanie is thrilled to be the Chorus Program’s Music Director.

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